Rob Zombie – Live, Laugh, Love
Whether you are living in a zombie apocalypse or enjoying the good times, you have to remember to smile and laugh, because life is good. It’s not always easy, but it’s always worth it.
Life is good
Known for his lurid rock soundtracks and films, Rob Zombie is no stranger to a good time. He’s got an impressive body of work that’s full of high-quality heavy tunes. And now he’s back with a new album called The Lunar Injection Kool Aid Eclipse Conspiracy. And it’s got a lot to say.
For starters, there’s the title track. The album has a lot of cinematic convergences of sex and violence. And it also features a “secret track” called the Unholy Three. The track is a six-and-a-half minute sonic assault. It’s packed with samples from Don Edmonds’ Ilsa, She Wolf of the SS. And it’s accompanied by a fist-pumping chorus.
There’s also a song called Mars Needs Women, which features industrial riffs. It’s also named after Larry Buchanan’s 1968 TV movie. And it’s also got a bongo player named Tommy Clufetos, whose bongos adorn the intro.
The album also features the song Dead City Radio and the New Gods of Supertown, which has a rascally tone and a subliminal indictment of modern rock radio.
Whether you’re a fan of Rob Zombie’s music or films, you have to admit there’s hope for him. He’s an artist in his own right, and a genius when it comes to horror. He makes films like Halloween and House of 1000 Corpses fun, while still pushing the boundaries of genre.
As a musician, he’s been honed his doom metal chops since Educated Horses, and his latest album, Lucifer Rising, cruises at the speed of Dead Girl Superstar. He’s also a fan of old school suspense films, and his band White Zombie is heavily influenced by them.
Rob Zombie began writing songs before his band broke up. He was 18 when he moved to New York, where he lived on little money and often ate pizza on the subway.
He went on to write the songs for his first solo album, Hellbilly Deluxe, which was released in 1998. The album peaked at number five on the Billboard 200 and sold 121,000 copies its first week.
You’re in a good place
Countless Facebook groups, blogs and websites have made claims about the state of the art, but there is one thing that stands above all the rest. You’re in a good place, and that’s a fact. Whether you’re in it for the long haul or the short term, you’ll find plenty of people to hang out with. In fact, you may have found yourself in a group of mates you’ve known for years. The perks are boundless and the free libations are endless. After all, you’re in the company of the rich and famous. And who knows, maybe your significant other is a major league baseball player!
A quick Google search for “in a good place” will turn up a host of worthy candidates, so you’ll be in good company. Hopefully, you’ll get the most out of your time in the area. Whether you’re on the hunt for a new place to call home, looking for a new job, or simply wishing to find the perfect spouse, you’ll find a friend or a family member to help you out.
It’s a good time to be in a good place
Whether you are a fan of Rob Zombie or not, the artist is a master of directing major motion pictures. He incorporates the big movements in horror cinema, rock music, classical gothic, German Expressionism, and 70’s exploitation into his movies. His videos are often post heavy, featuring lots of mirror filters and split screen frames.
Zombie’s art often features big-boobed monster women in pornographic poses. Some people are critical of Zombie’s art, claiming that it is sexist. Others believe that Zombie’s art is childish. However, it is hard to deny that Zombie’s art pokes tender sensibilities. Whether or not Zombie’s art is sexist, his portrayals of women are powerful.
Zombie’s music videos are usually post heavy, with lots of mirror filters and split screen frames. They also feature Halloween paraphernalia, masks, and costumes. They are short on substance and long on texture.
Rob Zombie’s “TOKYO VIGILANTE #1” is a forgettable video that adds little to his body of work. It is a hodgepodge of scratched film effects and kung-fu movie scenes.